The visual exploration of the shadower s childhood makes the shadows plight nonetheless more understandableFilm reviewer Michael Brody compliments the set designing in the picture Schumacher delivers a perfect visual translation of the lay production to the screen : the Phantom s Lair is given a cavernous shape the opera house an architectural chef-doeuvre , and every nook and cranny of the setting feels like an alert setting rather than a prop in a fritter awayed play (Brody , 2004 . Stella Papamichael accuses the director of relying too much on sets than inventive choreography and there is no hint of simple emotion in the intimate scenes (Papamichael , 2004 Carina Chocano , Times Staff causality has opined that the real problem with Phantom is the problem with Andrew Lloyd Webber musicals in routine It s a slow-mo ving orgy of lowbrow grandiosity that s as tedious as it is overblown and pretentious (Chocano , 2004 .
Critic Scott of the late York Times is quite harsh in his view of this strike : This screen version , for alone its wailing emotionalism and set out production design , lacks both authentic romance and the waggle of memorable spectacle (Scott , 2004The situations are a bit too big(p) and sources a bit on the darker side in this moving-picture show . The characters are somewhat unrealistic and especi eithery the disfigurement of the Phantom is not well etched . However the actors do submit their charac ters well and sing beautifully . The exquis! ite lyric treble of Emmy Rossum embodies the spellbound Christine s sweetness and vulnerability , with her contribution meeting all the challenges posed by the songs (Murray , 2004 . She is also very beautiful and fits the character reference . Patrick Wilson , as romantic Raoul has that swashbuckling , romantic bolt involve to fill the role and a pure song voice (Murray , 2004 . Gerard Butler has a raw sensual court though...If you unavoidableness to get a full essay, order it on our website: BestEssayCheap.com
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